AT: I love it, more and more each year. For the past 12 years, I’ve had the privilege of watching the careers of the people I photograph evolve. That awareness of their journey adds a whole new layer of context to my work. During fashion weeks, I see hundreds of people dressed impeccably. But I’m drawn to those whose outfits aren’t just costumes put together for the runway show. I’m interested in individuals who have a solid, personal style. It’s not about who’s wearing the latest collection, but about genuine, developed style.

AT: In the early years of my career, I shot everything – I didn’t want to miss any moment. Today, I’m much more selective. I know exactly why I’m on set, and I wait patiently for that perfect shot. I also tend to avoid shows that attract a specific crowd with a strong aesthetic. I’ve learned that I don’t need to be everywhere. I’m not drawn to ‘total looks’ sponsored by brands. I prefer something more personal. I gravitate towards people who are doing something interesting with their lives. They come to fashion shows to work, and they look just like they do every other day. Their style is effortless, natural, and built over time. You can tell fashion is part of their life, not just something they put on for the event.

AT: Pretty much the same as I do every day – very simple. In street fashion photography, it’s crucial not to stand out too much, not to be the flashy element in the background that someone might catch in their frame. Most of my colleagues wear cargo pants and backpacks. For me, it’s more of a minimalist, monochrome vibe. That’s all it takes for Lisa Aiken from American Vogue to call me the best-dressed street fashion photographer.

AT: Jeans and a tank top, sometimes a suit, a leather jacket. For almost a decade now, I’ve always carried the same bag — a classic Chylak tote. It holds everything I need to get the job done.